The Nature of… Jim Crumley

Jim Crumley is a nature writer whose books I’ve referenced before in blog posts, as indeed have others on their blogs. Among Jim’s books a longtime favourite of mine has been his timeless classic A high and lonely place – a eulogy to The Cairngorms and one which prompted this post back in 2014. Both celebratory and unafraid to confront the issues – many of which endure to this day – it is both a good read and a work of reference.

Most recently I’ve read the two connected works in the series The Nature of… and am hopeful that there will be two others to follow. Both books are written with an intimacy and perspective which can only derive from patience and exposure – the latter possibly in more than one sense of the word. Most of all there is that most scarce and precious of commodities – original thought; something which, in these soundbite days, seems as elusive as the native wildcat which he and I would love to know were out there, moving secretively through the forests of Rothiemurchus and Inshriach.

Here’s an example: it’s taken from The Nature of Autumn

“And the first day of autumn is the beginning of everything, the first stirrings of rebirth. The forest fall thickens the land with limitless tons of bits and pieces of trees. The earth is hungry for food: all spring, all summer, it has been thrusting life upwards and outwards, and by the last day of summer, it is tired. Autumn is the earth’s reviver and replenisher… ”

On first reading, this runs counter-intuitive to my programming: unquestioningly I’d accepted that the natural order of the seasons was spring, summer, autumn, winter – emergence, abundance, slow-down, shutdown. Having your perceptions challenged is never a bad thing and, with the benefit of a different perspective, it makes sense to see autumn as very much the opening step in a new cycle – one which incubates during the winter months; dormant but already primed. From the perspective of our most northerly latitudes it makes absolute sense.

Original thinking challenges us and, who knows, perhaps might encourage us to develop it as a skill of our own. How could that ever be a bad thing?

 

The Nature of Autumn and The Nature of Winter, are both written by Jim Crumley and published by Saraband.

 

 

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Cyrille Regis

In an age where words like legendary and iconic, get scattered as throwaways, life and mortality sometimes pull us up short and, in so doing, remind us of their correct and appropriate usage. We awoke this morning to the news that one of our finest had passed away: Cyrille Regis – icon, legend, barely begin to tell his story. This is from the club’s official site…

R.I.P Cyrille; we were lucky to have you.

 

 

Should aesthetics trump functionality?

I’m assuming it’s still okay to use the word ‘trump’ in the title of a post without attracting some incoherent response from the man on Capitol Hill.

On a short outing in the Severn Valley a few days ago, I was struck by the contrast between some of the structures and apparatus – old and quite new – which we encountered along the way. At the foot crossing in Eymore Wood we paused briefly as former Southern Region pacific 34027 Taw Valley passed through with a longish and busy train. This is the locomotive which has, on occasions, appeared around the country in maroon livery carrying the Hogwarts Express nameplate. Built immediately post WW2 (1946) it still looks the part, although – had it not been rescued from a south Wales scrapyard – it would have had a very short working life, having been withdrawn from service by 1964.

There is a slight uphill incline at this point and it was the kind of cold, crisp day when a bit of exertion generally produces good, photogenic steam.

Between the railway and the nearby river, a couple of Severn Trent reservoirs double up as boating lakes and wildlife retreats – wildfowl mostly but with a growing cormorant population. In combination with the preserved railway, the river itself and the northern edge of the extensive Wyre Forest, which reaches all the way to the opposite bank, it’s an attractive and not over-used area. Unfortunately, it seems to have been considered an appropriate site for a solar farm (Cenin Renewables in conjunction with Severn Trent apparently) – a development which started small and seems to be proliferating over a wide area. This is part of a cluster sited a few metres from the bank of the river…

One of the local councils – Kidderminster Parish – said at the time of the initial development they only found out about Severn Trent’s plans after they were approved because of (quote) “a loophole in planning regulations”. I could go on about the effectiveness and appropriate siting of these panels – that and the still ongoing debate around their dubious longevity and payback – but that would make for a much longer post. For now I’ll leave it that they’re unsightly and in a place where they should never have been considered; a place, incidentally, where if you pitched a tent for a night’s wild camp you’d quite likely be moved on.

About a couple of hundred metres upstream (no more) John Fowler’s elegant and timeless cast-iron arch bridge carries the railway across the Severn. Probably an unfair comparison, but even in the fading light of our return journey it struck us as more enhancement than intrusion…

Earlier in the day I’d taken this shot from the road bridge adjacent to Arley Station. It’s a jumble and just about everything is wrong with it, but I quite like the overall chaotic effect of steam, people, trains and infrastructure…

There are still a few examples of lower quadrant semaphore signalling to be found out on the main lines, including around the Worcester/Droitwich/Malvern area. Upper quadrants (raised signals) are a bit more numerous, particularly around the stations on the Highland Main Line; the GWR always liked to be different.

With the light almost gone, there was just about enough time to capture the bulrushes below. This group are at the edge of one of the two small reservoirs and are often frequented by coots, and occasionally reed warblers. Nature’s designs are often studies in understated elegance; something we could learn from…

At the turn of the year…

A walk on Wednesday 27th December, 2017

2017 was more or less bookended by snow on The Long Mynd. The January fall was a light covering, short-lived and already receding by the time we descended; December’s looked to be made of sterner stuff…

The mix of blue skies – pale blue, admittedly – and freshly fallen snow meant that the climb away from the still relatively quiet Carding Mill Valley was full of promise of what conditions might be like higher up. Deeper snow, fewer footprints, extensive views; all of these crossed our minds. In the meantime we contented ourselves with regular pauses to take in the immediate surroundings; for all that these are our most frequently visited hills, it is rare to see them like this.

The combination of snow-covered rocks and swollen streams made for some interesting choices when it came to foot placement. On a warm summer’s day this clear running water can look inviting for a foot soak. Today it just looked to be best avoided. As we climbed the depth of the snow covering was progressively increasing and the sky intermittently darkened, threatening further falls which, apart from the odd flurry, never really materialised.

The path we were following leads to a short, steep, rocky ascent alongside Light Spout waterfall. It can be tricky in these conditions, when there is often a combination of ice and running water, but is generally more difficult to descend than it is to climb. We made our way gingerly up and over the top; I followed, so that if Jo slipped she would take me with her, and if I slipped I would put only myself at risk. I remember thinking at the time that it didn’t seem entirely fair but she would have to come and retrieve me because I was the one carrying the food.

By the time we’d started the return leg, the sun was already dipping low over the hills of mid-Wales, casting long shadows across the snow. There was a consistent six to eight inches of fallen snow across most of the higher ground, with drifts and wind-blown cornices of double that and more (See the picture below). Any evidence of a slight thaw was quickly disappearing as the temperature began to drop, and the combination of surface water running over compacted ice and snow made underfoot conditions for the descent increasingly uncertain. Progress was slow and deliberate, with the treads of our boots becoming repeatedly packed with a mixture of snow and ice and needing to be either kicked or stamped clear to restore some traction.

As we descended, in fading light and falling temperatures, we were both a bit perturbed to be passed by a mixed group of adults and children who had seemingly barely started their walk. More so when one of the adults asked us if there was “anything at the top”. They were all wearing what would probably be described as ‘street clothes’ – no waterproofs; casual wear mostly; trainers and leisure shoes. None of them was carrying any kind of pack, so there was nothing to suggest they had spare hats, gloves, a map, or any food and drinks. It was clear from the question that they weren’t familiar with these particular hills.

We did try to persuade the one who appeared to be in charge that, with the light fading quickly and the temperature falling, coming back down would be much more tricky than the climb, as indeed already was the case, but he seemed worryingly blasé.

Now, okay, this is The Shropshire Hills in a moderate covering of snow, with temperatures dipping down to around -1º to -2º plus a bit of windchill; it’s not the highlands with 100mph gusts, snow past your thighs and sub-arctic conditions. But the path back down to Carding Mill Valley is easy to miss in fading light and there are any number of options for making the wrong choice; it could take someone who didn’t know the hills a long time to realise they’d made a navigational error and possibly longer still to correct it. In the end we had to tell them to note the path junctions and the way marker posts (quite a few of which are down at the moment) and remember landmarks as they passed them.

A farewell to 2017…

A high and a low from the year just ended…

April: And probably the high point of the entire year; Brummie Saffiyah Khan humiliating EDL leader Ian Crossland with nothing more aggressive than a combination of incredulity and disdain. An object lesson in how to deal with bigots…

May: And undoubtedly the low point, had it not been for Grenfell Tower also occurring within the space of a few weeks: a bomber targets a pop concert at Manchester Arena, killing himself and twenty two innocent people, injuring almost sixty. The bomber turns out to be a UK national – born in Manchester to migrant parents – and someone who had been flagged to the security services by his local community and banned from a mosque. The attack is followed by “a 500% increase in anti-Muslim hate crimes in the Greater Manchester area in the month following” (Police figures).

Sometimes life seems to be like that little spinning circle in the middle of the screen when the wi-fi is buffering – you stare, transfixed, because… because what else is there to be done?

Person of the year: Sunderland supporter Bradley Lowery (01.05.2011 – 07.07.2017), with an honourable mention to Jermain Defoe (both pictured)…

 

A Happy 2018 to all who pass this way…

A sense of place

The west midlands confuses people: not the endless proliferation of local dialects; not the eccentricities of the motorway network; perplexing though both of those can be. New York might well be “so good they named it twice” but The West Midlands (capitalised this time) is apparently such a brilliantly imaginative name for a place that to use it only once would have seemed wasteful; so it’s been applied to two completely different entities – one of which resides within the other.

First, there’s The County of West Midlands: neither small nor perfectly formed, this nondescript aggregation of bits taken from Staffordshire, Worcestershire and Warwickshire, all of which – reduced though they may be – still separately exist, managed to be a compromise of sorts in that it was held in almost unanimous contempt by residents of all three of its constituent parts. The reasons for their discontent might have varied – from the erosion of cultural identity to concern over the effects on property prices “If people get the idea we’re a suburb of Dudley” (yes, seriously) – but the thing that united us them was that we they just weren’t happy and that’s all there was too it. It doesn’t take much.

Then there’s the other ‘West Midlands’ which, according to Wiki is “One of the nine official regions of England”, stretching from Herefordshire and The Cotswolds to the edge of The Peaks and all points west, right up to the Welsh border. None of this is new, although it is to me.

Both versions of The West Midlands are officially designated as NUTS, which will surprise almost no-one.

Within about 10-15 minutes at a decent walking pace I can reach the remnant of an old Roman road, which marks the boundary with Staffordshire, just at the point where it is tapering down to nothing in the middle of some nondescript pasture; in rather less time again it is possible to exit Staffordshire and cross seamlessly into Worcestershire. So, I reached the Roman road, left behind the neatly suburban West Midlands (designated NUTS1) and crossed into the unkempt agricultural West Midlands (NUTS2), heading for one of those places where The Woodland Trust is doing some of its sterling work.

This is, for a while, an odd patchwork of an area: the clearly defined residential plots come to an abrupt end and are replaced by a chaotic, bits and pieces landscape of indeterminate ownership – a couple of small copses and a few fields which have remained undisturbed for, to my knowledge, the best part of 35 years. Vegetation comes and goes, proliferates, dies back, and the tracks which meander between the trees and brambles follow the same lines that they have followed for as long as I’ve known them.

At least over time the wildlife changes: the buzzards and ravens which would once have been considered exotic are now relatively commonplace, particularly the buzzards. The grey squirrel and rabbit populations ensure there is certainly no shortage of food; no doubt there are field voles out there as well, but they maintain a lower profile. These days the squirrels have to compete for cached food with the expanding population of jays – a bird with attractive plumage but frequently sounding as if it’s being tortured. Goldcrest are present in good numbers; possibly they always were and I never noticed them or, more likely, thought that anything so small would automatically be a wren.

Today the kind of snowfall we rarely see any more has thrown a pristine blanket over some of the less attractive aspects, like the unused rolls of razor wire and discarded feed sacks. The woods themselves seem to be groaning under the covering of snow and the goldcrests and wrens, as they flit between branches, set up small tremors dislodging many times their own body weight.


     

Modern camera technology

The final photograph in the previous post was of a kingfisher, sitting on some stonework just out of Worcester city centre. I described it in the post as ‘heavily cropped’ and I think it’s a testimony to the quality of modern camera sensors and lenses that an image can be effectively ‘blown up’ and still retain so much resolution.

Here’s what happened (and I must stress that there was no skill involved on my part beyond the use of the cropping tool; no photoshopping or enhancement of any kind – it is all down to the camera equipment).

The kingfisher flew across the river and alighted on the quayside; it was some distance away but was clearly a kingfisher. Not wishing to spook the bird, my son took a few shots in ‘burst’ mode without moving any closer. He was using a Sony Alpha 6000 with a Sony 55-210 zoom lens; from memory he thinks it was shot at maximum zoom but it was all in a bit of a hurry. This is the original shot…

The kingfisher is visible, just left of centre and on the corner of the quayside.

When we’d got the pictures loaded onto the computer at home, I just thought I’d try cropping to remove the railings; I expected the result to be grainy and unusable. This was the first crop…

It was way better than I would have anticipated, but I knew you couldn’t expect to keep cropping without compromising image quality. Nevertheless, I though I’d give it one more trim – this time with really low expectations…

The result was the photograph above, which is the one used in the previous post.

I just thought this was an amazing testimony to the quality of modern camera equipment, even in the hands of an amateur (although Rob, to be fair to him, does have a decent eye for a picture). I contributed nothing beyond the use of the cropping tool.