The Hay Festival isn’t an annual pilgrimage for me, even though, after every visit, I promise myself it will become one. That’s really because every time I do make the effort to attend, I leave already looking forward to the next time. But sometimes life – that unruly, incoherent mess of other commitments, conflicting priorities, disarray and (when time permits) even a little inertia – conspires against returning quite as quickly as I might have hoped. And of course there always has to be an event or two worth attending; it would be an unusual year when that wasn’t the case.
My overriding impression of Hay during festival week is that it would be very difficult to spend time around the place and not find yourself in a good mood. Artists – some of them familiar faces, others less so – mingle comfortably with the crowds, whether it be inside the festival grounds or simply meandering around the town. On a previous visit I exchanged affable nods and greetings with Pink Floyd’s David Gilmour as if we were a couple of neighbours passing in the street. This year I bumped into George Monbiot taking some time out on the river bank. Obviously good weather helps, and it was certainly a riverbank kind of day.